The Big Short

Broadly speaking, there are three types of political or socially-engaged cinema within Hollywood. The first category belongs to movies in which the politics are implicit rather than overt, but can nevertheless be detected or interpreted in the underlying ideological, cultural or racial assumptions and priorities that determine plot structures and storylines, or the way that certain characters or groups of people are represented. Within this category you could place most Westerns featuring Native Americans, not to mention a whole range of science fiction films such as Independence Day, Starship Troopers andAvatar.

In the second place – and this category can sometimes overlap with the first – there are films whose overall intention is entertainment, but which nevertheless incorporate ongoing political debates or social issues into their plotlines, and make more overt political statements or messages without departing from the conventions of their particular genre. Here you can find a vast list of films such asMagnum Force, The Green Berets, The Deer Hunter, Top Gun, Apocalypse Now, State of Siege orDjango

My review of The Big Short for Ceasefire magazine.  You can read the rest here: