History, Peace, and Beauty: On Barcelona’s Ramblas
- August 18, 2017
Of all the massacres perpetrated in Europe in the name of Islamic State, yesterday’s slaughter in the Ramblas has a particular personal resonance for me. I spent nine years in Barcelona, living near the Ramblas for part of that time. Even when I moved further away from downtown Barcelona, hardly a week went by in which I didn’t pass through it. This is because the Ramblas has a special place in the life of the Catalan capital. It’s where you go to meet people, at the Café Zurich at the top of the Ramblas, or by the entrance to the Plaza Catalunya station, or by any other point up and down this fabulous thoroughfare.
It’s where you go to shop at the marvellous La Boqueria indoor market, or look at the fruit and vegetable stands laid out with meticulous precision in dazzling displays of colour. More than anything else, it is a place you go to stroll. Lorca famously described the Ramblas as a street that was so beautiful that you didn’t want it to end, and he wasn’t wrong. Despite the over-priced cafés, the dense thicket of tourists, the traffic running up and down alongside the pedestrian thoroughfare, the Ramblas remains a space of peace and beauty.
On Sundays it was a pleasure to join the families walking up and down the rows of plane trees, past the flower-sellers, bird stalls, and newspaper stands, to check out the dancers, the ridiculously elaborate living statues, musicians, the skinny little guy who used to perform astounding tricks with a football, the silver-painted Columbus I once interviewed for a radio feature.
Sometimes you might let yourself drift dreamily all the way down from the Plaza Catalunya to the Drassanes medieval shipyards; past the rebuilt Liceo opera house; the Miró mosaic where the murderer eventually crashed his van yesterday; past the Poliarama cinematograph where George Orwell spent three days reading detective novels in June 1937 while anarchists and Assault Guard soldiers shot it out in the Café Moka down below; past the seedy side-streets of the Barrio Chino, where Jean Genet had once picked up knife-fighting lovers in sleazy bars; past the former stamping ground of so many characters from Juan Marsé’s Barcelona novels; past doorways that still bore the marks of the high heels of prostitutes waiting for ships to arrive at the harbour.
My piece for Ceasefire Magazine. You can read the rest here.